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~ A fairy-tale cottage by the Seine in Normandy

chaumierelesiris

Category Archives: Culture

Easter Shopping

29 Friday Mar 2013

Posted by chaumierelesiris in Culture, France, Normandy

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Easter eggs, online shopping, Rouen, shop windows, shopping, shops

I’ve spent the last two days sampling the shopping experiences in Upper Normandy: the well-heeled, global brand-packed district behind Rouen’s cathedral; the adorable rows of independent shops that line the narrow medieval streets of Pont-Audemer; and a weekly market where farmers from all around set out their stalls.

The thing that’s struck me is how beautifully everything is presented. From the windows of Hermes to the humblest confectionary, each shopkeeper has taken time to make his or her little piece of window the most seasonal and eye-catching it can be. Even the opticians had a full-on Easter menagerie on show. And this display of colour and shape and texture makes it fun to shop in France, a sensual pleasure.

I am trying to remember if the shops were ever so lovely on the UK high street or in the American mall. When did it become purely functional? Maybe that’s why we shop online so much: it’s no fun in person any more.

This seems to me the wrong formula. Why shouldn’t shopping, whether online or on the high street, be a pleasure? Why don’t we demand that our shopkeepers, whether digital or not, curate their stalls with care and stimulate a little bit of desire before we get down to the grubby business of parting with our money?

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A rooster or a cross?

06 Wednesday Feb 2013

Posted by chaumierelesiris in Culture, France, Travel

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churches, cross, rooster

Ever wondered why there are roosters on the churches in France? We even have a former steeple rooster on the roof of our cottage. I was delighted to explore this corner of history in this wonderful post from My French Heaven.

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Grandmothers, Markets, Food

28 Friday Dec 2012

Posted by chaumierelesiris in Culture, Food, France

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culture, famly, Food, France, Market, photographs

Lovely market pictures and a meditation on the pivotal role that grandmothers play in French food culture.

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Country Houses

08 Monday Oct 2012

Posted by chaumierelesiris in Culture, Les Iris

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Anna Karenina, Books, chaumiere, House in France, literature, Property, Tolstoy


In Part 3 of Anna Karenina, Tolstoy has Dolly decamp to her country house to save money. It’s an expedient move: the fishmonger, the woodmaker and the shoemonger are chasing for unpaid debts. Her daughter has been very ill. Her husband has been sleeping with the nanny of their six children. She goes away with her children, believing that the country will offer “salvation from all city troubles, that life there, though not elegant…[is] cheap and comfortable.” (I am quoting here from the award-winning translationby crack husband-and-wife team Richard Pevear and Larissa Volokhonsky.)

Country houses were no joke in those days. Here is Tolstoy’s own country house, the 32-room Yasnaya Polyana. This is a writer who knew the toll of seasons of hard weather on a country estate, and the real burden that supporting two residences can put on its owners.

The country does not live up to Dolly’s expectations. Her husband has been looking after the house.  “Stepan Arkadyich, who, like all guilty husbands, was very solicitous of his wife’s comfort, looked the house over himself and gave orders about everything he thought necessary. To his mind, there was a need to re-upholster all the furniture with cretonne, to hang curtains, to clean up the garden, make a little bridge by the pond and plant flowers; but he forgot many other necessary things, the lack of which later tomented Darya Alexandrovna.”

What she finds is leaks, no cook, not enough cows for milk and butter, only roosters, and no one to wash the floors as everyone is working in the potato fields.  The wardrobes open and close at the wrong times. There are no ironing boards.

Just when everything is looking bleak, a housekeeper appears and masterfully shapes up the house. “The roof was repaired, a cook was found, chickens were bought, the cows began to produce milk, the garden was fenced with pickets, the carpenter made a washboard, the wardrobes were furnished with hooks and no longer opened at will, an ironing board, wrapped in military flannel, lay between a chair arm and a chest of drawers, and the maids’ quarters began to smell of hot irons.”

(Here is a surprising picture of Tolstoy at 20: so unlike the bearded radical of later years. Looks like someone who would know about high society misbehaviour.)

With fast food, pressed clothes, and working cupboards, Dolly starts to feel at home in the country. The genius of Tolstoy is in these details. It’s not Anna Karenina who compels you through the book: although she gets top billing, she’s a cool and fairly flat character, what James Meek calls a mysterious absence at the heart of Anna Karenina. No, it’s the human truth in the detail, how the husband behaves when he’s guilty, and how the wife regains some order in her world by making the cupboards open and close at the right  times, that  drives the novel right through the centuries onto our shelves and screens today.

But back to our subject of country houses. For me, Dolly makes a mistake in thinking that the country should replicate the city. You see it happening all the time in magazines and property sections: glossy pictures of the second or even third home that’s immaculate, designer-perfect. Just the thought of all that work, to keep not just one but two or three homes looking decent, makes me feel exhausted. And I’m sure the husbands aren’t doing the upholstery.

A city house is on display. Windows are bay-shaped, made to be looked into. Curtains need to hang well, the carpets should be clean. Your clothes can’t be disheveled as you make your way blinking into the morning. The country is different: it’s the place where you go to not be on display. That’s the point of it. No corner shop, no delivery service, no wifi. Nothing for the children to do but scrabble around in the mud and make up adventure games. And for the adults it’s long walks in wellies, a bit of Tolstoy, and gallons of excellent cheap wine. Two changes of clothes is more than enough, you hardly get around to hanging them in the wardrobes which may or may not close. As Judith Warner writes in her perfect column about another chaumiere in Normandy: “Everything’s fine the way it is.”

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The Feast Day of St Fiacre

01 Saturday Sep 2012

Posted by chaumierelesiris in Culture, Food, France

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Tags

bread, Food, Gardens, museum, St Fiacre

This week was the feast day of St Fiacre, the patron saint of gardeners, in France and Ireland. As well as being the patron saint of gardeners, St Fiacre is the patron saint of our village in Normandy. Each year to mark the day, a special mass is held in the the ancient village chapel, and the residents gather for a meal together on the banks of the Seine. It’s a peaceful, slow-moving day before the bustle of the return to cities and schools and jobs in September. Here is the post I wrote about the day last year:

*****

Our Daily Bread

Bread is given three definitions in the Merriam-Webster Dictionary:

  1. a usually baked and leavened food made of a mixture whose basic constituent is flour or meal
  2. livelihood <earns his bread as a laborer>
  3. food, sustenance <our daily bread>

It is in search of bread under its first definition, a baked food made from flour, that we go as soon as we set foot on French soil. A truism, still true: bread never tastes quite like it does in France. For baguettes and croissants, an early morning run up the hill to our local artisanal bakery, Le Fournil de la Roselière in Sainte Opportune La Mare,  does the trick. Although it stands alone in a quiet village, I’ve never seen it empty. Cars and trucks are constantly pulling in and owners whisking out with their daily bread in hand.

In a nearby village, La-Haye-de-Routot, is Normandy’s Bread Oven Museum. Every Sunday afternoon during the year, and every day in the summer, there are bread-making demonstrations.

The bread oven cottage is small and dark, and the bread oven is enormous, filling half of the cottage. It’s the kind of oven Grimm’s witch might have tried to push Hansel and Gretel into. Our children are sceptical, and they keep their distance. The boulanger is large and muscular and has a booming kind of voice. He starts us from the beginning, showing how he heats the oven and removes the coal and ash. It’s hard and hot work, requiring patience.

While he works Monsieur le Boulanger keeps up a comic patter with the audience, telling jokes about the clueless Parisians who take his bread-making courses. He only bakes in the traditional way, he tells us. Baking and keeping alive the art of traditional bread making is quite literally his livelihood.

He shows us how he shapes and decorates the bread, using a special tool for the detail. A pinch here, a prod there, a few seconds of extra work and people will pay three times more for a loaf, he chuckles.

While the bread is baking we go for a walk and return to the smell the baking bread. Now the children are keen, gathering close to the boulanger. Each has a go at helping to remove the bread. The paddle is carefully inserted under a few loaves and then the bread is pulled out with a fast, powerful tug.

Afterwards the fresh bread is sold. We leave with the warm loaves nestled in their white bags, ready for the evening meal.

With most meals in France we eat bread, freshly made and often hot: daily sustenance. One Saturday evening there is a mass in the village chapel, to honour the feast day of the village’s patron saint, St Fiacre. He probably started off as Fiachra, an Irishman, who travelled to France and built a hospice for travelers. Legend has it that St Fiacre furrowed a great garden with his staff. He is the patron saint of gardeners and taxi drivers. This seems fitting for our village with its beautiful cottage gardens, and I like the anomalous conflagration of rural and urban. It’s the story of our lives.

We arrive at the chapel just as mass is starting and are invited to sit in the only free seats, uncomfortable and ancient wooden pews at the front. Next to us is an unexplained heap of warm brioches. Brioche is made in a similar way to bread, but is enriched with egg and butter. It was often used as blessed bread in French churches, and was sold at market in the butter centres of northern France.

The mass is long and the chapel is full. We are hungry and the brioches smell so good. Finally as mass is ending, the priest and the mayor come forwards. The priest blesses the special St Fiacre brioches, sprinkling them with holy water: bread of life. The mayor invites the congregation for a glass of sparkling wine in the mairie, and the brioches are distributed. In the morning for breakfast, is the glistening golden brioche all the more delicious for having been blessed?

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The most famous garden in Normandy

13 Wednesday Jun 2012

Posted by chaumierelesiris in Culture, France, Normandy, Things to do, Travel

≈ 1 Comment

Tags

Art, Flowers, Gardens, Giverny, Monet, Normandy, paintings

Giverny–where Claude Monet lived and painted for 43 years–is certainly the most famous garden in Normandy, perhaps in all of Europe or even the world. It was here that he created the water garden with its iconic Japanese bridge that he painted over and over and which hangs, in reproduction, on a million institutional walls.

A visit to Giverny, however, doesn’t start with the lily pond, but with the rather fabulous–and previously unknown to me–Clos Normand, his magnificent wildflower garden.

The garden, which fronts his house, is laid out in corridors of colour: one purple, one yellow, one pink. Flowers and rose arches rise on either side. Even though it’s crowded – on a midweek afternoon during school season we waited 20 minutes for our tickets – you can lose yourself wandering through the fragrant lanes.

Flower garden, Giverny

Flower garden, Giverny

Le Clos Normand, GivernyFlower Garden, GivernyGarden, GivernyFlower garden, GivernyFlower garden, Giverny

We visited in early June, and the flower garden was bursting with colour, all poppies and peonies and hollyhocks and irises.

Irises, Giverny

Peonies, Giverny

Hollyhocks, GivernyPoppies, GivernyPoppies, Monet's Garden, Giverny

All those poppies recall the Monet print that hung in my childhood nursery, the one of a girl and her mother walking through a poppy field, the girl wearing a boater not unlike my school uniform hat, and the mother wearing a scarf and carrying a parasol.

The gardeners were busy at work, tending to all that wildness.

Gardener, GivernyGardener, Giverny

If the flower garden offered more than I expected, then the water garden was slightly underwhelming. The two gardens are intersected by a busy road, and there is noise from the traffic on the road. And to be fair the day was grey, the light flat. The pond is really very small, and not as lovely as it is painted in oil and hanging on the walls of the world’s great museums. It reminded me of visiting the most famous gardens in Japan. Like this one they were perfect on a small scale, and elbow to elbow as crowds of tourists sought just the right picture for their holiday blog.

Le Jardin d'Eau, Claude Monet, GivernyLe Jardin d’Eau, GivernyMonet's Water Garden, Giverny

Monet’s house is worth a look. It has been renovated recently, and rooms on both floors are open for viewing. The bedroom overlooks the gardens. The painter’s bed is curiously small for two people, and the ensuite bathroom is luxurious. What is known as the yellow kitchen is in fact a dining room with a large table, with a smart blue kitchen beyond it. It seems that the Monet family enjoyed their entertaining–and who wouldn’t, in such a spot?

Door to Monet's house, Giverny

The children brought along The Magical Garden of Claude Monet, which takes a child and a dog on a tour of house and gardens. They enjoyed discovering the places shown in the book – especially Monet’s boat.

There are a number of official and unofficial websites dedicated to Giverny, of which we found the best for visitor information to be the Claude Monet Foundation website.

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Town Mouse, Country Mouse

12 Saturday May 2012

Posted by chaumierelesiris in Culture, Travel

≈ 3 Comments

Tags

Art, Bow, dog, Graffiti, Lee Navigation, London, Olympic Park, Olympic Stadium, Olympics, restaurant

This is a blog about living and travelling in rural Normandy and I try to stay fairly close to the subject. I’ve gone off-piste from time to time. I was star-struck by an encounter with Blur’s Alex James, and I enthused about a friend’s chalet in Vaujany. Today I’m going to stray again. If this blog is all about rural life, I’m going to write about its opposite.

Graffiti, East London

Last weekend we spent a day wandering around East London – a helter skelter patchwork of old industry and new development, a resolutely urban space crawling with builders and testers and security guards and snapping tourists like me as it enters the last weeks before the London Olympics. (For a neat travel account of things to do in East London, see the New York Times’ 36 Hours in East London).

We walked along the Lee Navigation, a system of canals built out of from the River Lea that once served industry, and are now the heart-center of Olympic development. This provided some excellent views of the main Olympic stadium, where sound checks were underway all afternoon.

Olympic Stadium and River Lea (Lee) April 2012

Here is one of the entrances to the Olympic park. You can see old industrial buildings next to a secured gate into the Park. I love the graffiti under the canal bridge: IMAGINE WAKING TOMORROW AND ALL MUSIC HAS DISAPPEARED. Our dancing-singing-violin-playing daughters tried to imagine what that would be like.

River Lea (Lee), East London, Graffiti Imagine Waking Tomorrow and All Music Has Disappeared

It’s been decades since the canals have carried working barges, but there are houseboats all along the sides. You might think a houseboat is a romantic, bohemian way to live cost-effectively in London–that’s not always the case. Even if the houseboat is affordable, mooring prices and terms vary widely. Behind the houseboats here, you can see the kind of smart apartments that have appeared all over this once industrial area.

Houseboat, East London

Someone has set up these miniature sculptures ‘watching’ the construction of the Olympic Park from across the Lee Navigation. (Is this a good moment to mention that there is a French connection to the Olympics. It was a Frenchman, Pierre de Coubertin, who in 1894 proposed in a speech at the Sorbonne the idea of revival of the Games and establishment of the International Olympic Committee.)

River Lea (Lee) and Olympic Stadium

For lunch we made our way into Bow, where Roach Road was unexpectedly buzzing with Bugaboos and LandRovers–surely day visitors from Islington and Dulwich trying to snatch a bit of artistic urban cool just like us? Look at the Olympic Stadium looming behind.

Fish Island, Bow, East London

With children and dog in tow, we were delighted to discover that the cafe at Stour Space is energetically child and dog friendly. This is certainly not the case in much of London–I have yet to find a dog-friendly cafe in Fulham. The excellent brunch menu included pea soup and bacon sandwiches.

Stour Space, Bow

Stour Space is hosting a retrospective of works by local printmaker James Brown. This version of a William Morris quotation, which can be bought at the V&A, particular spoke to us:

Since we’re talking opposites today, I had to take note of the requisite anti-Olympics graffiti just along the street.

Olympics Graffiti, East London

There’s much beauty in the contrasts here. Of course there is: it’s the differences in life, after all, that provide richness and texture. The town mouse and the country mouse need each other, and make each other, in their contrast, more beautiful.

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Le Havre in Rain and Sun

07 Monday May 2012

Posted by chaumierelesiris in Culture, Food, France, Normandy, Things to do, Travel

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architecture, Art, Auguste Perret, Easter bells, Eglise Saint-Joseph du Havre, Food, Le Havre, Market, Musée Malraux, Oscar Neimeyer volcano, Renoir, sardines

Le Havre probably isn’t top of your list of things to do in Normandy. It certainly wasn’t top of mine–even though it’s on the Unesco World Heritage list.  For me, Le Havre has always been a ferry port on the way to somewhere nicer, famous for having been bombed to bits by both sides during World War II.

But my ever adventurous husband kept encouraging me to go. He wanted to know where all the boats that pass by the end of our garden were coming from; and he was interested in seeing the largest container port, and second busiest overall port, in France. So we left behind the bucolic blossomy Easter week countryside and drove off in search of urban grit.

Le Havre port

We arrived in a shower of rain, found parking, and ran into the nearest shelter, a large concrete doorway. I stumbled in, looked up, and then had one of those blinking-into-the-gloom moments that you get in the great medieval cathedrals like Notre Dame, Salisbury or Reims. Except here I was in a dramatic modernist space, the Eglise Saint-Joseph du Havre, made entirely from reinforced concrete. Built in the 1950s, the cathedral was designed by Auguste Perret, the architect who led the reconstruction of Le Havre after the war. It’s quite hard to describe the effect of stepping into this cathedral, and pictures don’t do it justice. The concrete is hard and cold and ugly, and yet the overall effect is uplifting and awe-inspiring. If you do one thing in Le Havre, go there.

The rain stopped, the sun came out (every day in Normandy contains about 7 days of weather in other places) and we headed towards the port, stopping along the way at the covered market for sandwiches and where we admired the traditional Easter bells and other chocolate on display.

Easter chocolate, Le Havre

Dotted around the port are some interesting sculptures, and this unusual Oscar Neimeyer designed volcano, which houses a cultural centre.

Oscar Niemeyer Volcano in the rain, Le Havre

Then on to the Musée Malraux, known as MuMa, and its excellent collection of impressionist art in another modernist space that’s more attractive inside than out.

Musee des Beaux-Arts Andre Malraux Le Havre

There are works by Boudin, Monet, Dufy, and many of the impressionists; I particularly liked the several portraits by Renoir, as well as the way the museum windows let the changing Normandy light right inside.

Along the seafront from the museum, boats were being taken out of dry dock by men with a small crane. We walked out along the long pier. Retired couples out for a stroll greeted us warmly, and a class of small student sailboats bobbed about at the end of the pier. Looking back was a rather lovely view of the port, smart new apartments, and the Perret cathedral tower.

Le Havre harbour and Auguste Perret tower

Do look out for the seafront shop, La Belle-Iloise, which has walls and walls of these brightly coloured tins of sardines. What wonderful gifts.

La Belle-Iloise, Le Havre

Le Havre seems to me something like a beautiful easter egg hidden in an old bag, full of delightful surprises that it’s worth taking the time to savour.

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Boudin in Normandy

28 Saturday Jan 2012

Posted by chaumierelesiris in Culture, Normandy, Things to do, Travel

≈ 1 Comment

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Art, Boudin, Honfleur, Le Havre, Normandy, Normandy art museums, paintings, Trouville

Do make time for the Musée Eugène Boudin if you find yourself, as we recently did, in Honfleur on a rainy winter’s day. Boudin (1824-1898), a native of Normandy, is known for his paintings of the outdoors, and was a great influence on Monet and the Impressionists.

Boudin Museum ticket, Honfleur

The museum is spacious and the collection not too large; allow one to two hours. The collection includes work by pre-Impressionist and contemporary Norman artists, as well as displays of traditional Norman costumes and artefacts. The heart of the collection is the Boudin paintings.

Woman with a Parasol on the Beach might be my favourite. You see the same lady later in Monet, and in Winslow Homer on the opposite side of the Atlantic. There’s the wonderful contrast between the dark formal dress and the sweep of beach and wind-pushed clouds. Is she talking on her mobile?

Boudin worked a great deal on the Normandy coast, especially at the fashionable resorts of Trouville and Deauville. He painted a number of scenes similar to On the Beach at Trouville between the 1860s and 1890s.

Boudin is extensively collected around the world, and I have created my own Boudin in Normandy collection at the lovely Artfinder.

I’ve written elsewhere about visiting Honfleur and Étretat. Here Boudin paints The Jetty and Lighthouse at Honfleur and The Cliffs at Etretat.

This painting of the Seine near Rouen looks so much like the view of the Seine from the bottom of the garden at Les Iris. I wonder where Boudin painted it.

I love the business of this scene outside the Casino de Trouville. Look at the children, and the dogs, and the tipped-over rush chair at the front.

It seems to me that being a C19 pre-impressionist painter was an excellent gig: you got to hang out in the loveliest places like The Beach at Trouville and Deauville. Check out those bathing machines.

Now here is a view that has changed. Le Havre has been extensively re-built and is on the UNESCO World Heritage List for its post-war architecture. Boats have changed too, although every 5 years or so, an armada of tall ships gathers on the Seine in Normandy. The next gathering is in June 2013.

And here’s a view that hasn’t changed, apart from a few parasols. Life goes on in the same way year after year on the beach: the resort wear, the sailing lessons, the children ducking in and out of the white-capped waves, their screams of delight echoing down the years.

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Britpop Revisited, and a French Connection

12 Monday Dec 2011

Posted by chaumierelesiris in Culture, Food, France

≈ 2 Comments

Tags

Blur, Britpop, cheese, France, Le Touquet, London, Music, Walking

Last week I wrote about taking an autumn walk in Normandy, and shortly afterwards I came across this column on walking. Writing in the Telegraph, former Blur bassist Alex James ponders the pleasures of walking–seemingly a whimsical luxury in our zippy 21st century lives. He puts it rather well:

There is no better way of seeing the world, or yourself, than walking. Nothing really ever happened then and nothing really happens now. Once we saw a stoat. Sometimes there is a dead thing. Walking is a feeling more than what happens.

I seem to have been walking a serendipitous path myself this week. No sooner had I read that article, than I found myself at a launch party in East London curated by none other than Alex James.

The evening was filled with excellent music and cheese, James having re-invented himself as a gentleman farmer and cheese-maker. One of his cheeses is marvellously named after New Order’s Blue Monday, and his book about this unusual career transition, All Cheeses Great and Small, comes out next year.

There is a French connection here and we’ll get to it in a moment.

With Alex James popping up all over the place, I pondered how little I know about Britpop. I was away from the UK at university and working in New York during the early Britpop years. Social Distortion, Liz Phair, Pavement and Nirvana were the alt rockers du jour. Had I missed one of the most important cultural moments of my youth?

A colleague, who has always struck me as more PPE than pop, surprised me with his enthusiastic recommendation of James’s account of the Britpop years, Bit of a Blur.

So I picked up Bit of a Blur, and discovered that James is quite a fan of France. He studied French at Goldsmiths (where he was a student alongside his mate, artist Damien Hirst). Years later, in an effort to sober up and find some focus, he learned to fly, and developed a fondness for  Le Touquet, which I’ve written about here. He regularly flew himself from Elstree to Le Touquet, which took about 40 minutes in his Beechcraft Bonanza. Here he explains what he likes about Le Touquet.

Coasting in at France, Le Touquet, Paris Plage, is the second town on the right. In days gone by it was the exclusive playground of the rich and famous. More recently they huddle together at the southern end of France on its grisly private beaches and within its gated communities. It’s all the same people you see in New York and London down there. Northern France, and particularly Le Touquet, are a well-kept secret. The expansive beaches are deserted and the whole place has a natural glamour…..There are chocolate shops, a casino, and silly things to rent and do. There are restaurants galore and hotels from the grand to the grounded.  After a while, I began to like the cheap hotels. They have the most character. Luxury looks the same in Le Touquet as it does in Leeds. You lose all sense of luxury if you never step outside of it. We all need a bit of rough with our smooth.

I couldn’t agree more with his assessment of the south, and of the relative charms of Northern France.

Now here’s what I’ve been wondering. What are the French pop music movements I have missed? I remember listening a lot to Air’s Moon Safari in the late ’90s. Has France had its own version of Britpop?

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